Saturday, 23 November 2019 03:26

Today’s blog is written by a special guest, South Florida theater critic Bill Hirschman, chief critic and editor of floridatheateronstage.com.

By Bill Hirschman
floridatheateronstage.com

As an internationally popular writer with 28 New York Times best-selling mystery novels, James Grippando is usually focused on whodunits.

But the award-winning Florida author is about to see the world premiere of his first playscript, Watson, at GableStage this weekend – as much a howdunit and whydunit that ask questions about technology, capitalism and responsibility – as well as the interpersonal relationships explored in mysteries these days.

Set against the corporate world of America in the 1930s and then the Holocaust in Germany, Grippando says the true-life tale may be “the first personal information disaster” in modern story – a theme that obviously resonates with the most current headlines today.

Although the story is told through the American head of IBM, Thomas J. Watson Sr., the underlying premise has several steps. In the 1930s, IBM developed a punch card non-computer tabulating technology that could catalog and track people. A subsidiary sold many of these to the German government, which then used it to conduct a detailed census. That census recorded many details, but, on point here, religion.

When Hitler came to power, the database was used to identify and round up Jews for the concentration camp. At the camps, the detailed information about skills and the like was used to determine who could be useful temporarily and who to kill immediately.

The question -- raised in a 2001 lawsuit about the company’s complicity in the horror, as well as the subject of articles and a book -- is how much did Watson know what it was being used for. In 1937, he became the first American to receive the German Merit Cross, one of highest honors that Hitler bestowed on a non-German. Then in 1940, before American entered World War II, stories about the roundups and concentration camps were emerging. Watson returned the medal under significant pressure from friends and Jewish leaders.

“Was it true crisis of conscience crisis or was it a good business decision for him to issue a press release saying I gave back the medal,” Grippando said, “It certainly raises questions about morality versus obligations to your shareholders.”

Watson was a classic 20th century businessman who saw himself as one of the greatest capitalist who ever lived, but was convicted in 1912 under the Sherman Anti-Trust Act when he ran NCR. Throughout the play, his decisions and life, is being judged by his son, Thomas Watson Jr., in a contentious and complex relationship.

“They loved each other but they just went to war all the time, and in some ways, it's a tragedy really. Mr. Watson had an image of himself of what he wanted to be and particularly a relationship that he wanted with his son that never really materialized because of his own hubris.”

Grippando, a lawyer from Coral Springs, has always been fascinated by theater, but primarily as a patron of GableStage among other theaters and as a lawyer for Broadway producer Seth Greenleaf, who is a mutual friend with Producing Artistic Director Joseph Adler.

In fact, Grippando’s sole previous effort at writing for theater occurred a few years ago as the result of research he originally did as back story for a novel, a 1944 incident in which a 15-year-old boy was lynched in Florida. It didn’t quite work.

Grippando had heard of the 2001 lawsuit filed by Holocaust survivors against IBM, which was later dismissed because the statute of limitations had run out. But Adler had heard of it independently and asked Grippando about 18 months ago to see if there was a play in there.

Adler wrote in between rehearsals this week, “I thought it had the makings of an important play: the fact that an American corporation like IBM had cooperated with the German government by sharing important technology with them leading up to and during World War II. “

There was no immediate pressure. So Grippando spent six months on and off in research. The veteran storyteller said “It didn't strike me as a story. Joe and I bandied it back and forth for several months.

Then, he realized that Watson himself and his relationship with his son provided the necessary throughline and posed the crucial questions.

“I mean he, to the day he died, he never admitted he ever did anything wrong. So his conduct was, I would say, ambiguous. I think the audience will draw their own conclusions.”

After four very different drafts, he showed one to Adler a few months ago.

Adler recalled, “When we finally reached the point where it truly came alive, I was so excited that I made an immediate decision to put it in our very first slot. He scrapped announced plans to open his season with the political play Hillary and Clinton. “Needless to say, making a sudden change like that on such short notice presents many challenges. However, I can say with absolute certainty that the theater gods were smiling on us because it has all worked out beyond my greatest expectations.”

The two spoke on the phone and met regularly sometimes for days at a time reshaping and tweaking.

Adler said, “It has been an absolute pleasure to collaborate with James. His talent and professionalism – coupled with the fact that he works faster than anyone I have ever known – has made this everything I had hoped it would be from the moment we’ve started.”

Grippando is in no rush to tackle another play quite yet. But the experience has had some side benefits to his day job, especially when faced with some of the region’s best actors: Stephen G. Anthony as Watson Sr., Iain Batchelor as Watson Jr., plus a blue-ribbon troupe of South Florida actors playing multiple roles: Peter Galman, Diana Garle, Peter Haig, Margot Moreland and Barry Tarallo.

They provided Grippando with a humbling experience, he recalled with a laugh. “The first fatal mistake: watching an actor stumble over a piece of dialogue that you've written that you thought it was so beautifully written, that doesn't go off the tongue at all.”

Now it’s back to his prolific output as a mystery novelist, especially his series about Miami lawyer Jack Swytek, the latest of which is The Girl In the Glass Box.

“This is going to really take me up a notch just in writing great dialogue,” he added.

Watson runs Nov. 23-Dec. 22 at GableStage, 1200 Anastasia Ave., Coral Gables, inside the Biltmore Hotel. Performances 8 p.m. Thursday-Saturday, 2 p.m. and 7 p.m. Sunday. No performance Thursday the 28th. For tickets and more information, call 305-445-1119 or visit GableStage.org.

Photos: Top: James Grippando; photo courtesy Harper
Second photo: Iain Batchelor gets lectured by his father played by Stephen G. Anthony as the titular character in the world premiere play Watson at GableStage.; Bottom photo: Margot Moreland , Peter Haig, Stephen G. Anthony and Iain Batchelor / Photos by George Schiavone

JAMES GRIPPANDO: MYSTERY WRITER TURNS PLAYWRIGHT
james-grippando-mystery-writer-turns-playwright
Saturday, 16 November 2019 16:27

About 50 years ago, a young British teacher with two young children decided to take a chance and enter a writing contest. At the time, he had written a nonfiction book based on his love of running.

And that contest jump started the successful career of Peter Lovesey.

And now Lovesey is helping to start another writer’s career.

Lovesey is launching a first crime novel contest being organized by Soho Crime to mark his 50th year in crime writing ever since he won a similar contest.

The Peter Lovesey First Crime Novel Contest includes a $10,000 advance and a publishing contract with Soho.

Details are at https://www.loveseymysterycontest.com and the contest is open to any unpublished writer.

Lovesey is one of the nicest authors and has earned the respect of his fellow writers and loyal readers throughout his career. He has written more than 50 historical and contemporary detective novels and numerous short stories with three of those novels have been written under the pen name Peter Lear. His best-known series characters are Sergeant Cribb, a Victorian-era police detective based in London, and Peter Diamond, a modern-day police detective in Bath.

Peter spent four years of National Service in the Royal Air Force. He spent 14 years in education, beginning as a Lecturer in English at Thurrock Technical College in Essex. He then became Head of the General Education Department at London’s Hammersmith College for Further Education (now West London College). He quit became a full-time writer in 1975.

Peter’s awards include the Gold and Silver Daggers from the British Crime Writers' Association, the Cartier Diamond Dagger for Lifetime Achievement, the French Grand Prix de Littérature Policière and first place in the Mystery Writers of America's 50th Anniversary Short Story Contest.

He is one of only 13 authors to be honored with both the Crime Writers' Association's Cartier Diamond Dagger for Lifetime Achievement and the Grand Master from MWA. He also received the Lifetime Achievement honor during the recent 2019 Bouchercon Convention in Dallas. In 2016, the UK's Detection Club published Motives for Murder to recognize his 80th birthday.

I interviewed Lovesey when he was named Grand Master by Mystery Writers of America in 2018, and we talked about this contest that launched his career. Here is a link to his acceptance speech.

In 1969, Lovesey had written a nonfiction book called The Kings of Distance (also called Five Kings of Distance). The sales were slim but it was named sports book of 1968 by World Sports magazine.

Running, he told me, was his passion and he had no other ideas for a book, fiction or nonfiction.

Then he saw the advertisement for the contest sponsored by publisher Macmillan. The prize was a whopping £1,000, which he said was bigger than his annual salary.

Lovesey said at the time he didn’t know anything about writing mysteries. But his wife, Jackie, did. She loved mysteries and suggested a mystery centered around running, which, at the time, had never been done.

He began researching the history of running—he was a teacher, after all—and came across ultra-long-distance races in the Victorian era that were called “Go As You Please Contests.” He wrote the book in three months and, won the contest.

The result was Wobble to Death. The novel as set in 1879 during a bizarre six-day endurance race. “Wobbles” became popular on both sides of the Atlantic in the 1880s. Wobble to Death introduced detectives Cribb and Thackeray. Lovesey’s eight novels in the Cribb series gave readers a look at police work in the Victorian era and it also was the basis of a popular TV series in Great Britain.

We wish the winner of the Peter Lovesey First Crime Novel Contest much success.

PETER LOVESEY FIRST NOVEL CONTEST
Oline H Cogdill
peter-lovesey-first-novel-contest
Tuesday, 05 November 2019 23:36

A highlight of every Bouchercon is the Anthony Awards. The 2019 awards were presented on Saturday, Nov. 2, during the convention held in Dallas.

The 2019 Anthony Awards were for works published in 2018, and were selected by the votes of those attending Bouchercon.

This year’s nominees in each of the categories were among the strongest we’ve ever seen. Each author—both those nominated and who took home the Anthony—was a winner.

Congratulations to all.

(Those who took home the Anthony, which was one of the most beautiful awards we’ve seen, are listed first in bold face with ** before the title.)

Best Novel
**November Road by Lou Berney (William Morrow)
Give Me Your Hand by Megan Abbott (Little, Brown and Company)
Jar of Hearts by Jennifer Hillier (Minotaur Books)
Sunburn by Laura Lippman (William Morrow)
Blackout by Alex Segura (Polis Books)

Best First Novel
**My Sister, the Serial Killer by Oyinkan Braithwaite (Doubleday)
Broken Places by Tracy Clark (Kensington)
Dodging and Burning by John Copenhaver (Pegasus Books)
What Doesn’t Kill You by Aimee Hix (Midnight Ink)
Bearskin by James A. McLaughlin (Ecco)

Best Paperback Original Novel
** Under a Dark Sky by Lori Rader-Day (William Morrow Paperbacks)
Hollywood Ending by Kellye Garrett (Midnight Ink)
If I Die Tonight by Alison Gaylin (William Morrow Paperbacks)
Hiroshima Boy by Naomi Hirahara (Prospect Park Books)
A Stone’s Throw by James W. Ziskin (Seventh Street Books)

Best Short Story
**“The Grass Beneath My Feet” by S.A. Cosby, in Tough (blogazine, August 20, 2018)
“Bug Appétit” by Barb Goffman, in Ellery Queen Mystery Magazine (November/December 2018)
“Cold Beer No Flies” by Greg Herren, in Florida Happens (Three Rooms Press)
“English 398: Fiction Workshop” by Art Taylor, in Ellery Queen Mystery Magazine (July/August 2018)
“The Best Laid Plans” by Holly West, in Florida Happens (Three Rooms Press)

Best Critical or Non-Fiction Work
** I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer by Michelle McNamara (HarperCollins)
Dead Girls: Essays on Surviving an American Obsession by Alice Bolin (William Morrow Paperbacks)
Mastering Plot Twists: How To Use Suspense, Targeted Storytelling Strategies, and Structure To Captivate Your Readers by Jane K. Cleland (Writer’s Digest Books)
Pulp According to David Goodis by Jay A. Gertzman (Down & Out Books)
Classic American Crime Fiction of the 1920s by Leslie S. Klinger (Pegasus Books)
The Real Lolita: The Kidnapping of Sally Horner and the Novel that Scandalized the World by Sarah Weinman (Ecco)

The Anthony® Award is named for the late Anthony Boucher (rhymes with “voucher”), a well-known California writer and critic who wrote for the San Francisco Chronicle and the New York Times Book Review, and also helped found Mystery Writers of America. The Anthony Awards were first presented in 1986.

2019 ANTHONY AWARD WINNERS
Oline H Cogdill
2019-anthony-award-winners