Thursday, 28 April 2011

The 2011 Arthur Ellis Award Nominees Announced

(Toronto, ON) April 29, 2011 – Crime Writers of Canada (CWC) have announced the nominees for the 28th annual Arthur Ellis Awards, Canada’s premier awards for excellence in crime writing. The 2011 awards are for books and short stories published in 2010. Crime Writers celebrate all facets of the genre, including crime, detective, espionage, mystery, suspense, and thriller, and include fictional or factual accounts of criminal doings and literary works with a criminal theme.

BEST NOVEL
C. B. Forrest, Slow Recoil (RendezVous Crime)
Mike Knowles, In Plain Sight (ECW Press)
Jeffrey Moore, The Extinction Club (Penguin Group)
Louise Penny, Bury Your Dead (Little, Brown UK) -
Michael Van Rooy, A Criminal to Remember (Turnstone Press)

BEST SHORT STORY
Mary Jane Maffini, “So Much in Common” in Ellery Queen Mystery Magazine
Jas R. Petrin, “In it Up to My Neck” in Alfred Hitchcock Mystery Magazine
Jordan McPeek, “The Big Touch” in Thuglit
James Powell, “The Piper's Door” in Ellery Queen Mystery Magazine
William Deverall, “The Bust” in Whodunit: Sun Media’s Canadian Crime Fiction Showcase

BEST NON-FICTION
Stevie Cameron, On the Farm (Knopf Canada)
Robert Wright, Our Man in Tehran (HarperCollins)
Roy MacGregor, Northern Light: The Enduring Mystery of Tom Thomson and the Woman Who Loved Him (Random House)

BEST JUVENILE/YOUNG ADULT
Allan Stratton, Borderline (HarperCollins)
Alice Kuipers, The Worst Thing She Ever Did (HarperCollins)
Sharee Fitch, Pluto’s Ghost (Doubleday Canada)
Norah McClintock, Victim Rights (Red Deer Press)
Yvonne Prinz, The Vinyl Princess (HarperCollins)

BEST CRIME WRITING IN FRENCH
Jacques Savoie, Cinq secondes (Libre Expression)
Jacques Côté, Dans le quartier des agités (Alire)
Johanne Seymour, Vanités (Libre Expression)
Michel Châteauneuf, La société des pères meurtriers (Vents D'ouest)
Bernard Gilbert, Quand la mort s'invite à la première (Québec Amérique)

BEST FIRST NOVEL
Hilary Davidson, The Damage Done (Tom Doherty Associates)
Avner Mandleman, The Debba (Other Press)
Michael McKinley, The Penalty Killing (McClelland & Stewart)
Nicholas Ruddock, The Parabolist (Doubleday)
Chevy Stevens, Still Missing (St. Martin's Press)

UNHANGED ARTHUR (Best Unpublished First Crime Novel)
John Jeneroux, Better Off Dead
Kevin Thornton, Uncoiled
Jayne Barnard, When the Bow Breaks

All the award winners will be announced at the Arthur Ellis Awards Banquet in Victoria, B.C., on June 2, 2011, in the Pender Island Ballroom at the Grand Pacific Hotel.

For additional information please contact:
Melodie Campbell
This email address is being protected from spambots. You need JavaScript enabled to view it.

For additional information on Crime Writers of Canada and the Arthur Ellis Awards:
www.crimewriterscanada.com

The 2011 Arthur Ellis Award Nominees Announced
Mystery Scene
the-2011-arthur-ellis-award-nominees-announced

The 2011 Arthur Ellis Award Nominees Announced

(Toronto, ON) April 29, 2011 – Crime Writers of Canada (CWC) have announced the nominees for the 28th annual Arthur Ellis Awards, Canada’s premier awards for excellence in crime writing. The 2011 awards are for books and short stories published in 2010. Crime Writers celebrate all facets of the genre, including crime, detective, espionage, mystery, suspense, and thriller, and include fictional or factual accounts of criminal doings and literary works with a criminal theme.

BEST NOVEL
C. B. Forrest, Slow Recoil (RendezVous Crime)
Mike Knowles, In Plain Sight (ECW Press)
Jeffrey Moore, The Extinction Club (Penguin Group)
Louise Penny, Bury Your Dead (Little, Brown UK) -
Michael Van Rooy, A Criminal to Remember (Turnstone Press)

BEST SHORT STORY
Mary Jane Maffini, “So Much in Common” in Ellery Queen Mystery Magazine
Jas R. Petrin, “In it Up to My Neck” in Alfred Hitchcock Mystery Magazine
Jordan McPeek, “The Big Touch” in Thuglit
James Powell, “The Piper's Door” in Ellery Queen Mystery Magazine
William Deverall, “The Bust” in Whodunit: Sun Media’s Canadian Crime Fiction Showcase

BEST NON-FICTION
Stevie Cameron, On the Farm (Knopf Canada)
Robert Wright, Our Man in Tehran (HarperCollins)
Roy MacGregor, Northern Light: The Enduring Mystery of Tom Thomson and the Woman Who Loved Him (Random House)

BEST JUVENILE/YOUNG ADULT
Allan Stratton, Borderline (HarperCollins)
Alice Kuipers, The Worst Thing She Ever Did (HarperCollins)
Sharee Fitch, Pluto’s Ghost (Doubleday Canada)
Norah McClintock, Victim Rights (Red Deer Press)
Yvonne Prinz, The Vinyl Princess (HarperCollins)

BEST CRIME WRITING IN FRENCH
Jacques Savoie, Cinq secondes (Libre Expression)
Jacques Côté, Dans le quartier des agités (Alire)
Johanne Seymour, Vanités (Libre Expression)
Michel Châteauneuf, La société des pères meurtriers (Vents D'ouest)
Bernard Gilbert, Quand la mort s'invite à la première (Québec Amérique)

BEST FIRST NOVEL
Hilary Davidson, The Damage Done (Tom Doherty Associates)
Avner Mandleman, The Debba (Other Press)
Michael McKinley, The Penalty Killing (McClelland & Stewart)
Nicholas Ruddock, The Parabolist (Doubleday)
Chevy Stevens, Still Missing (St. Martin's Press)

UNHANGED ARTHUR (Best Unpublished First Crime Novel)
John Jeneroux, Better Off Dead
Kevin Thornton, Uncoiled
Jayne Barnard, When the Bow Breaks

All the award winners will be announced at the Arthur Ellis Awards Banquet in Victoria, B.C., on June 2, 2011, in the Pender Island Ballroom at the Grand Pacific Hotel.

For additional information please contact:
Melodie Campbell
This email address is being protected from spambots. You need JavaScript enabled to view it.

For additional information on Crime Writers of Canada and the Arthur Ellis Awards:
www.crimewriterscanada.com

Tuesday, 26 April 2011

titleThis is a big week for mystery fiction lovers.

The Edgar Symposium begins Wednesday, April 27, at the Lighthouse International in New York City. Many top-notch authors and publishers will be there discussing the genre and its future. I'll be conducting the interview with Grand Master Sara Paretsky.

The 65th annual Edgar Awards banquet will be Thursday, April 28, at the Grand Hyatt in New York City. All the nominees are worthy.

And on Friday, April 29, the Los Angeles Times Book Prize will be awarded. I am delighted to say I was one of the judges for the mystery-thriller category.

Again, all the nominees are worthy.

And this also is the week that Malice Domestic begins on Friday, April 29, through May 1 at the Hyatt Regency in Bethesda, MD. This year, Sue Grafton will receive the Lifetime Achievement; Donna Andrews, at left, is the Toastmaster and Carole Nelson Douglas is the Guest of Honor.

This is the 23rd year for Malice, which celebrates the traditional mystery.

And I'd like to celebrate the traditional mystery.

In general, I believe that mystery fiction mirrors our society. These are novels that refect who we are, the struggles we have and how we deal with crime and punishment.

The traditional mystery especially does this. These novels often are about relationships and family issues. The best evidence of this are the nominees for the Agatha Awards. (Again, all the nominees are worthy.)

Take a look at those up for Best Novel: Stork Raving Mad by Donna Andrews (Minotaur); Bury Your Dead by Louise Penny (Minotaur); The Scent of Rain and Lightning by Nancy Pickard (Ballantine); Drive Time by Hank Phillippi Ryan (Mira); Truly, Madly by Heather Webber (St. Martin's Paperbacks).

And also take a look at those who got the nod for Best First Novel: The Long Quiche Goodbye by Avery Aames (Berkley); Murder at the PTA by Laura Alden (Obsidian); Maid of Murder by Amanda Flower (Five Star/Gale); Full Mortality by Sasscer Hill (Wildside Press); Diamonds for the Dead by Alan Orloff (Midnight Ink).

Louise Penny's Bury Your Dead revolves around Quebec's tangled history, friendships and debilitating grief.

In Nancy Pickard's The Scent of Rain and Lightning, a decades-old murder forces a community to deal with consequences.

A subplot of Alan Orloff's Diamonds for the Dead concerns his main character's feelings about his Jewish background and grief over his father's death and the time they wasted being mad at each other.

Each of these deals with how we live our lives.

The amateur sleuth subgenre has given us a view into a host of occupations such as cooks, bookstore owners, minimum wage employees and innkeepers. These novels give us a glimpse into worlds many of us will never know about. While these novels often are light, precise plotting, appealing characters and crisp dialogue keep them from being lightweight.

So here's a toast to the traditional mystery and fond wishes for a wonderful Malice Domestic.

Celebrate the Traditional Mystery
Oline Cogdill
celebrate-the-traditional-mystery

titleThis is a big week for mystery fiction lovers.

The Edgar Symposium begins Wednesday, April 27, at the Lighthouse International in New York City. Many top-notch authors and publishers will be there discussing the genre and its future. I'll be conducting the interview with Grand Master Sara Paretsky.

The 65th annual Edgar Awards banquet will be Thursday, April 28, at the Grand Hyatt in New York City. All the nominees are worthy.

And on Friday, April 29, the Los Angeles Times Book Prize will be awarded. I am delighted to say I was one of the judges for the mystery-thriller category.

Again, all the nominees are worthy.

And this also is the week that Malice Domestic begins on Friday, April 29, through May 1 at the Hyatt Regency in Bethesda, MD. This year, Sue Grafton will receive the Lifetime Achievement; Donna Andrews, at left, is the Toastmaster and Carole Nelson Douglas is the Guest of Honor.

This is the 23rd year for Malice, which celebrates the traditional mystery.

And I'd like to celebrate the traditional mystery.

In general, I believe that mystery fiction mirrors our society. These are novels that refect who we are, the struggles we have and how we deal with crime and punishment.

The traditional mystery especially does this. These novels often are about relationships and family issues. The best evidence of this are the nominees for the Agatha Awards. (Again, all the nominees are worthy.)

Take a look at those up for Best Novel: Stork Raving Mad by Donna Andrews (Minotaur); Bury Your Dead by Louise Penny (Minotaur); The Scent of Rain and Lightning by Nancy Pickard (Ballantine); Drive Time by Hank Phillippi Ryan (Mira); Truly, Madly by Heather Webber (St. Martin's Paperbacks).

And also take a look at those who got the nod for Best First Novel: The Long Quiche Goodbye by Avery Aames (Berkley); Murder at the PTA by Laura Alden (Obsidian); Maid of Murder by Amanda Flower (Five Star/Gale); Full Mortality by Sasscer Hill (Wildside Press); Diamonds for the Dead by Alan Orloff (Midnight Ink).

Louise Penny's Bury Your Dead revolves around Quebec's tangled history, friendships and debilitating grief.

In Nancy Pickard's The Scent of Rain and Lightning, a decades-old murder forces a community to deal with consequences.

A subplot of Alan Orloff's Diamonds for the Dead concerns his main character's feelings about his Jewish background and grief over his father's death and the time they wasted being mad at each other.

Each of these deals with how we live our lives.

The amateur sleuth subgenre has given us a view into a host of occupations such as cooks, bookstore owners, minimum wage employees and innkeepers. These novels give us a glimpse into worlds many of us will never know about. While these novels often are light, precise plotting, appealing characters and crisp dialogue keep them from being lightweight.

So here's a toast to the traditional mystery and fond wishes for a wonderful Malice Domestic.

Sunday, 24 April 2011

titleMarcia Clark’s role as the lead prosecutor in the infamous 1995 O.J. Simpson trial put her in the public eye. Since her resignation in 1997 as a prosecutor for the State of California, Clark has worked as an Entertainment Tonight correspondent and, with co-author Teresa Carpeter, wrote Without a Doubt, a nonfiction book based on the O.J. case.

Clark now makes her fiction debut with Guilt by Association (Mulholland Books/Little, Brown), a legal thriller whose heroine is Rachel Knight, an assistant district attorney in L.A.’s elite Special Trials unit.

Mystery Scene caught up with Clark for a Q&A before she launched her book tour for Guilt by Association, which has been earning positive reviews.

Q: What inspired you to write Guilt by Association.
A: I’d loved writing since I was a kid, but it never occurred to me to write full time until I finished co-writing Without a Doubt. At that point, I was excited about the prospect of writing a thriller, but a little – well, let’s face it – a lot daunted by the prospect of writing a book. Then fate, in the form of writing scripts for a legal drama on television, stepped in. The experience of script writing gave me enough confidence to get the ball rolling, and so I began novel writing.

After trying a few different perspectives and styles, I realized that what I really wanted to do was revisit my happiest years as a prosecutor, effectively combining my two greatest loves: prosecuting and fiction writing.

I was big fan of “Tales of the City” by Armistead Maupin, who created a beautiful world filled with fun, quirky and interesting characters. And that’s what I wanted to do: create a world that would be an ongoing series with recurring characters who’d – hopefully – also be fun, loveable and interesting. And I wanted to create a world that would convey the excitement and satisfaction, as well as the camaraderie and fun, of being a prosecutor.

titleQ: What was your inspiration for heroine Rachel Knight.
A: Rachel is a composite of many different women I’ve known, which means, of course, that I’m in there somewhere, too. But I think of Rachel as being my “avatar”: smarter, stronger, faster, etc. My real contribution to Rachel is my flaws: obsessive, headstrong, impatient, sometimes impulsive, and always smart-ass-y.

Q: Have you been a lifelong mystery fan? Any favorites?
A:
I have definitely been a lifelong mystery fan, and I have so many favorites, I don’t like to name favorites because I invariably forget to mention someone I love. But I will specifically mention one, because he’s passed and I want to add my voice to the many who keep his name alive: Robert B. Parker. He was a huge inspiration to many, many readers and writers, not just me.


Q: You show a different view of L.A. in Guilt by Association. Do you love Los Angeles?
A:
I suppose I do love L.A, though I sometimes forget because I get distracted by the obnoxious traffic and smog. There’s no city like L.A. When you fly over other cities, you see tightly wound concentric circles of lights; a localized hub surrounded by suburban quiet. But when you fly over L.A., the lights of all the various cities go on and on for miles. The spread of urban-style living is huge and wide.

As a result, L.A. is actually an umbrella that covers many different cities, each with its own unique character. This naturally provides a lot of grist for the mill and a great palette of colors to choose from in writing a book.

Q: Will the O.J. trial always be a part of your profile?
A:
Of course. That trial was a significant moment in history, and it was broadcast across the country, day in and day out, for a year and a half – you couldn’t escape the coverage even if you wanted to. As a result, I think everyone involved will forever be associated with it.


Q: I love the way you show Rachel’s friendship with the other women. Too often women are at odds in novels and movies. Are LAPD Detective Bailey Keller and prosecutor Toni LaCollette based on your own friends?
A:
Yes, they are – I’m happy, and very lucky, to be able to say. I, too, am weary of seeing women portrayed as being at each other’s throats. It’s a clichéd notion that whenever there’s more than one woman in the room, they have to be in competition with one another.

The truth is, women generally understand each other in ways men simply can’t, and that allows them to share a unique closeness. In this series, I want to show the truth about how important women are to each other and how they go the extra mile and beyond for their friends.

Q: What next?
A:
Writing novels – I hope! The second in the series comes out a year from now.

Marcia Clark: Q&a
Oline Cogdill
marcia-clark-qaa

titleMarcia Clark’s role as the lead prosecutor in the infamous 1995 O.J. Simpson trial put her in the public eye. Since her resignation in 1997 as a prosecutor for the State of California, Clark has worked as an Entertainment Tonight correspondent and, with co-author Teresa Carpeter, wrote Without a Doubt, a nonfiction book based on the O.J. case.

Clark now makes her fiction debut with Guilt by Association (Mulholland Books/Little, Brown), a legal thriller whose heroine is Rachel Knight, an assistant district attorney in L.A.’s elite Special Trials unit.

Mystery Scene caught up with Clark for a Q&A before she launched her book tour for Guilt by Association, which has been earning positive reviews.

Q: What inspired you to write Guilt by Association.
A: I’d loved writing since I was a kid, but it never occurred to me to write full time until I finished co-writing Without a Doubt. At that point, I was excited about the prospect of writing a thriller, but a little – well, let’s face it – a lot daunted by the prospect of writing a book. Then fate, in the form of writing scripts for a legal drama on television, stepped in. The experience of script writing gave me enough confidence to get the ball rolling, and so I began novel writing.

After trying a few different perspectives and styles, I realized that what I really wanted to do was revisit my happiest years as a prosecutor, effectively combining my two greatest loves: prosecuting and fiction writing.

I was big fan of “Tales of the City” by Armistead Maupin, who created a beautiful world filled with fun, quirky and interesting characters. And that’s what I wanted to do: create a world that would be an ongoing series with recurring characters who’d – hopefully – also be fun, loveable and interesting. And I wanted to create a world that would convey the excitement and satisfaction, as well as the camaraderie and fun, of being a prosecutor.

titleQ: What was your inspiration for heroine Rachel Knight.
A: Rachel is a composite of many different women I’ve known, which means, of course, that I’m in there somewhere, too. But I think of Rachel as being my “avatar”: smarter, stronger, faster, etc. My real contribution to Rachel is my flaws: obsessive, headstrong, impatient, sometimes impulsive, and always smart-ass-y.

Q: Have you been a lifelong mystery fan? Any favorites?
A:
I have definitely been a lifelong mystery fan, and I have so many favorites, I don’t like to name favorites because I invariably forget to mention someone I love. But I will specifically mention one, because he’s passed and I want to add my voice to the many who keep his name alive: Robert B. Parker. He was a huge inspiration to many, many readers and writers, not just me.


Q: You show a different view of L.A. in Guilt by Association. Do you love Los Angeles?
A:
I suppose I do love L.A, though I sometimes forget because I get distracted by the obnoxious traffic and smog. There’s no city like L.A. When you fly over other cities, you see tightly wound concentric circles of lights; a localized hub surrounded by suburban quiet. But when you fly over L.A., the lights of all the various cities go on and on for miles. The spread of urban-style living is huge and wide.

As a result, L.A. is actually an umbrella that covers many different cities, each with its own unique character. This naturally provides a lot of grist for the mill and a great palette of colors to choose from in writing a book.

Q: Will the O.J. trial always be a part of your profile?
A:
Of course. That trial was a significant moment in history, and it was broadcast across the country, day in and day out, for a year and a half – you couldn’t escape the coverage even if you wanted to. As a result, I think everyone involved will forever be associated with it.


Q: I love the way you show Rachel’s friendship with the other women. Too often women are at odds in novels and movies. Are LAPD Detective Bailey Keller and prosecutor Toni LaCollette based on your own friends?
A:
Yes, they are – I’m happy, and very lucky, to be able to say. I, too, am weary of seeing women portrayed as being at each other’s throats. It’s a clichéd notion that whenever there’s more than one woman in the room, they have to be in competition with one another.

The truth is, women generally understand each other in ways men simply can’t, and that allows them to share a unique closeness. In this series, I want to show the truth about how important women are to each other and how they go the extra mile and beyond for their friends.

Q: What next?
A:
Writing novels – I hope! The second in the series comes out a year from now.