Laura Childs on Growing Up Reading

"Mystery books were daring and exciting, firing up my imagination and making me yearn to become a girl detective or even a secret agent. They also empowered me to make up impromptu ghost stories around the campfire for my Girl Scout troop and sneak into the cemetery at night on a dare."

Books figured prominently in my life from very early on. My parents lavished us with Little Golden Books and Think and Do books. But my penchant for serious reading really kicked into high gear when the bookmobile rolled into my small Midwestern town, dispensing Nancy Drew and Trixie Belden novels. This was a huge step up from the kid’s books and “readers” our teachers foisted on us in grade school. These mystery books were daring and exciting, firing up my imagination and making me yearn to become a girl detective or even a secret agent. They also empowered me to make up impromptu ghost stories around the campfire for my Girl Scout troop and sneak into the cemetery at night on a dare.

By the time I turned 12, I had discovered James A. Michener. Tales of the South Pacific and Hawaii held me spellbound. But there was a slight problem. I wasn’t technically old enough to check out “adult” books from our small library. And so I enlisted my mom to be my foil. I’d pick out the books I wanted to read, and under the glaring eyes of the librarian, who knew darned well that they were intended for me, checked out all the adult books my heart desired.

As a freshman in high school, I was inspired by my dad’s first-hand stories about World War II. So I tackled William L. Shirer’s The Rise and Fall of the Third Reich. As I recall, I even did a book report on that rather lengthy tome and had to swear under oath before our high school principal that, yes, I had in fact read (and understood) the entire book.

Thank goodness the book police are now a dim memory and I can indulge my tastes by reading absolutely anything I want – whether it be children’s books, YA literature, mysteries, thrillers, poetry, serious literature, or business books. And once in a while I curl up in an easy chair and journey back to Hawaii or the South Pacific by re-reading good old Michener.

Laura Childs is the USA Today and New York Times bestselling author of the Tea Shop Mysteries, Scrapbooking Mysteries, and Cackleberry Club Mysteries. Recently, Book Riot named the Tea Shop Mysteries to their list of “25 of the All Time Best Cozy Mystery Series.” In her previous life Laura was CEO of her own marketing firm, authored several screenplays, and produced a reality TV show. She is married to Dr. Bob, a professor of Chinese art history, enjoys travel, and has two Chinese Shar-Pei dogs.

This “Writers on Reading” essay was originally published in “At the Scene” enews February 2018 as a first-look exclusive to our enewsletter subscribers. For more special content available first to our enewsletter subscribers, sign up here.

Teri Duerr
2018-02-15 16:53:58

"Mystery books were daring and exciting, firing up my imagination and making me yearn to become a girl detective or even a secret agent. They also empowered me to make up impromptu ghost stories around the campfire for my Girl Scout troop and sneak into the cemetery at night on a dare."

The Black Painting
Jean Gazis

Tolstoy famously said that “all happy families are alike, but each unhappy family is unhappy in its own way.” The uniquely dysfunctional family in The Black Painting could give anyone’s a run for the money. Family money and long-held family secrets are at the heart of this gripping whodunit.

The four Morse cousins—sexy Audrey, dapper Kenny, fragile James, and the youngest, Teresa, a graduate student in art history, have been summoned to meet their art-collector grandfather at his seaside mansion in Connecticut. They haven’t been there since a priceless Goya self-portrait, said to be cursed, was stolen 15 years before. But when Teresa and Audrey arrive at the estate, they find the old man dead, with an expression of horror, facing the spot where the painting once hung.

As the family gathers for the funeral, the suspicions and accusations that split them asunder after the painting’s sudden disappearance are revived. The manipulative old man’s will requires each of the cousins to meet specific, harsh conditions before they can inherit their share of his legacy. As the family members’ awful secrets are gradually revealed, they spin further out of control, leading to explosive, sometimes violent confrontations. Teresa begins to understand that she must find out what really happened all those years ago in order to fully understand her family—and herself.

The Black Painting portrays a vivid setting, memorable characters, and complex psychological dynamics. The authentic dialogue, original plot, and brisk writing make it a fast-paced, fun read that’s hard to put down.

Teri Duerr
2018-02-15 17:37:17

Family money and long-held family secrets are at the heart of this gripping whodunit.

Mister Tender’s Girl
Vanessa Orr

The plot of this book could have come right from recent headlines—similar to the real-lfe Slenderman case involving teenagers who attacked a classmate at the behest of a fictional character,. A young girl is stabbed by her classmates as a sacrifice for “Mister Tender,” a character in a graphic novel written by the victim’s father. A decade later, she’s moved to another country and established a lonely but safe life—until she realizes that hundreds of people are still following her story, including someone who wants her dead.

Though Alice Hill survived her attack, she still suffers from fear and paranoia, which is made worse when someone claiming to be Mister Tender begins to intrude on her life, sending packages and contacting her through social media. The tension rises with each page as Alice’s stalker ups the ante, contacting her on a website dedicated to her case and offering “solutions” to problems from her past that she has kept secret. Forced to confront the fact that she can’t handle Mister Tender alone, she finally shares her story with friends and family—who may or may not have her best interests at heart.

It is almost impossible to put this book down, especially when Alice returns to England—the birthplace of everything bad in her life—to try to discover the identity of Mister Tender. While Alice is looking for closure, her investigation into her past opens up even more shocking secrets, and puts her even further at risk. At times, this book is akin to a horror movie, where you’re yelling at the actor not to open the door, even as you’re dying to see what’s behind it.

Despite all that she’s been through, Alice is a strong heroine and I found myself looking forward to the final confrontation between the victim and her nemesis. While Mister Tender may be a fictional character, the battles in this book—both mental and physical—will inspire some real thrills.

Teri Duerr
2018-02-15 17:47:12
Winter Issue #153 Contents

153 Winter cover

 

Features

Jane Harper

She became a publishing phenomenon with her first novel, The Dry, and now the Australian author returns with another fast-paced thriller set Down Under.
by Craig Sisterson

Anthony Boucher

A successful author, his true influence came as a critic.
by Michael Mallory

Spillane at 100

On the centenary of his birth, the tough-guy writer is still a cultural icon.
by Max Allan Collins & James L. Traylor

Sue Grafton, 1940 to 2017

The author of the popular and groundbreaking “Alphabet” novels has died, but she leaves behind a vibrant legacy.
by Elaine Viets

Double Takes

by Marcia Muller & Bill Pronzini

Writers Turned Sleuths

Both Arthur Conan Doyle, creator of Sherlock Holmes, and Erle Stanley Gardner, creator of Perry Mason, became real-life crimesolvers.
by Cathy Pickens

The Hook

First lines that caught our attention.

Fave Raves of 2017

Our critics select the best of the year.

John Hart

The bestselling author enters new territory in his latest novel.
by Craig Sisterson

Karen E. Olson

The author makes use of her own newspaper background to color in the cases of her journalist-sleuth.
by John B. Valeri

“Southern Comfort” Crossword

by Verna Suit

 

Departments

At the Scene

by Kate Stine

Mystery Miscellany

by Louis Phillips

Hints & Allegations

My Books Essays

 
 

Reviews

Small Press Reviews: Covering the Independents

by Betty Webb

Very Original: Paperback Originals Reviewed

by Hank Wagner & Lynne F. Maxwell

Sounds of Suspense: Audiobooks Reviewed

by Dick Lochte

What About Murder? Reference Books Reviewed

by Jon L. Breen

Short and Sweet: Short Stories Considered

by Ben Boulden

Mystery Scene Reviews

 
 

Miscellaneous

The Docket

Letters

Advertiser Info

Teri Duerr
2018-02-15 17:59:28
At the Scene, Winter Issue #153

153 Winter cover

Hi Everyone,

The mystery world lost a guiding light when Sue Grafton died this past December. To make matters worse, Grafton’s iconic Alphabet Series was only one letter short of completion, after last year’s Y is for Yesterday. Still, her series stands as a towering achievement in the field and her influence will linger on for years. As Elaine Viets says in this issue, “Sue Grafton had three children and countless literary daughters.”

Another sad loss was the death of Joan Hess, author of the Maggody and Claire Malloy mystery series, in November. In addition to her enjoyable body of work, she was a prankster and a merry presence at mystery conferences, particularly Malice Domestic. She will be missed.

Happily, the mystery genre is constantly renewing itself with bright new talents. A case in point is Australian author Jane Harper, whose first book, The Dry, garnered her many fans here in North America. Her second book, Force of Nature, continues the winning streak. Craig Sisterson catches up with her in this issue.

2018 is the centennial of Mickey Spillane’s birth and Max Allan Collins and James Traylor make the case that this tough guy writer’s regular guy image has caused the magnitude of his achievement to be less appreciated than it should be.

Not every writer is content to keep the detecting on the page. Both Arthur Conan Doyle, creator of Sherlock Holmes, and Erle Stanley Gardner, creator of Perry Mason, took active roles in contemporary crime cases. Gardner, in particular, made an enormous impact with his “Court of Last Resort” investigations. He helped overturn a number of wrongful convictions, and, with his panel of forensic experts, helped bring a new level of professionalism to the practice of law enforcement. Cathy Pickens discusses these intriguing cases in this issue.

Everybody plays favorites. Our critics certainly do—and they’ve rounded up their selections of 2017’s outstanding crime and mystery works for your entertainment. This is always one of my favorite articles to work on—I come away with not only new books to read but also good ideas for future articles. Let us know what you think of our picks!

No one critic can read everything in the crime genre, but Anthony Boucher certainly took a stab at it. Back in the 1940s through the 1960s, his reviews were ubiquitous—and influential. And criticism was just one facet of his huge talent. No wonder the World Mystery Convention decided to call itself Bouchercon in his honor. Read Michael Mallory’s interesting piece on this multifaceted, multigenre talent in this issue.

John Hart’s new book has two elements new to his award-winning work. He’s returned to a former character, making The Hush a sequel to 2009’s The Last Child. And he’s added an element of magical realism, new to his work. Craig Sisterson talks with Hart in this issue.

After reading a stack of books recommended by Oprah Winfrey, Karen E. Olson was ready for some strong, resilient women characters who took charge of their own lives and definitely weren’t victims. She found what she was looking for in the works of Marcia Muller, Sue Grafton, Linda Barnes, and Lillian O’Donnell. Add these influences to her own journalism background and the result are three different series, each with strong women characters. John B. Valeri talks with Olson in this issue.

Enjoy!

Kate Stine
Editor-in-chief

Teri Duerr
2018-02-15 18:17:27
Winter Issue #153
Teri Duerr
2018-02-15 18:28:50
Meet Trevor Galloway—He’s Mellowed
Oline Cogdill

(Mystery Scene continues its ongoing series in which authors talk about their plots, characters, or process.)

J.J. Hensley, left, is a former police officer and former special agent with the U.S. Secret Service. He is the author of the novels Resolve, Measure Twice, and Chalk’s Outline. Hensley graduated from Penn State University with a B.S. in Administration of Justice and has a M.S. degree in Criminal Justice Administration from Columbia Southern University. His first novel, Resolve, was a Thriller Award finalist for best first novel. He is a member of the International Thriller Writers and Sisters in Crime.

Here, Hensley lets his character, former Pittsburgh narcotics detective Trevor Galloway, talk about his latest adventures in Bolt Action Remedy.

In Bolt Action Remedy, Galloway has been hired to look into the year-old homicide of a prominent businessman who was gunned down on his estate in Central Pennsylvania.

Hensley swears Galloway has mellowed.

Galloway’s attitude
I used to have a temper. Not the kind of temper that caused me to lose control because of some minor slight, but more of the kind where I’d snap after absorbing a string of difficulties as if enduring Chinese water torture.

Insults would drip against my psyche, one at a time, with the relentless rhythm of life. I’d suffer in near silence. I’d suffer and reveal nothing—until it was too much. Then you’d see my temper. That’s what got me kicked out of the Virginia Military Institute my first year, when I was still a “Rat.” But over time I mellowed and the anger I seemed to always keep caged became drowsy and drifted off to sleep.

Now I’m working a cold case and my stoic demeanor and calm temperament are assets I can use. Even when I was a narcotics detective in Pittsburgh, I could stay unemotional and logically solve the puzzles that presented themselves as case files on my desk.

Some of the other cops kept their distance from me, not knowing how to take my dispassionate calculating nature. But for most of my time with the PD, they all respected my abilities and loyalty. That changed when I was abducted by a drug gang, tortured for weeks, and turned into an addict.

Don’t get me wrong. Nobody in the department blamed me for being taken captive.

No. It was when it became known I told my captors the details of ongoing narcotics operations and the identities of confidential informants that the narrative surrounding Detective Trevor Galloway changed.

I mean, I can’t blame the department for forcing me out after I was rescued. It was logical on their part and—justifiable or not—there was bound to be lingering resentment against me. Of course I didn’t ask to be kidnapped, tormented, and turned into a strung-out zombie. The brass should have recognized that fact and backed me. My own goddamned unit could have supported me, rather than shot sideway glances my direction. Any one of them would have broken quicker than I did, so who the hell are they to judge?

But, I suppose it’s understandable.

After the department pushed me away, I picked up a gig working for the District Attorney’s Office. It seemed like everything was going to be all right and my life was going to be back on track.

Then an assistant DA asked me to perjure myself and when I refused, he attacked my credibility and discussed my addiction issues in open court.

I have to admit to not handling that well and I was terminated from that position. They had to let me go. They had no choice in the matter. Of course it was the DA who was dirty and all I was doing was conducting myself honorably, and the fact that I only broke the liar’s nose is a testament to my self-control!

But hitting him left them no choice in the matter. And if they had even known that I sometimes see things—and people—who aren’t there, they would have gotten rid of me even sooner.

So, I suppose it was understandable.

Fortunately, all of that is behind me and now I have this new case to occupy my time. It’s an interesting case. Peter Lanskard, who owned a company called Mountain Resource Solutions, was murdered on his snow-covered estate in Central Pennsylvania.

The fact he was murdered isn’t really extraordinary, because he had some enemies. However, the sniper who got him skied into position, took an amazing shot, and skied away at a breakneck pace. That’s right—skied. At first I was surprised the year-old case hadn’t been solved. There could only be so many people with those skills who were connected to Lanskard.

But small-town police departments have their limitations and I assumed Washaway Township was no different. However, when I met the police chief at the original crime scene, I could tell she was no joke. Then the chief took me to the property adjacent to the Lanskard estate. That’s when I saw the problem. Peter Lanskard’s land backed up to a biathlon training camp where everyone can ski and shoot.

So here I am looking for a needle in a stack of needles and it seems nobody wants to talk to me. I stick out like a sore thumb in this town and nearly everyone wants me gone. These aren’t the city streets to which I’m accustomed and I can feel the resentment of the townspeople pressing in on me from all sides. And I’m being hunted. Or, at least I think I’m being hunted. A man called the Lithuanian is stalking me and he’s out for blood.

If he’s real.

I’m losing my bearings and I’m starting to feel the old itch in my veins that only the needle can scratch. It feels like everyone is against me and someone wants me dead. I came here as a favor and I didn’t even ask for this case. Just like I didn’t ask to be brutalized, or pumped full of heroin, or forced out of police work! I just want to solve my damn puzzles.

But, it’s okay.

I’ve mellowed.

Oline Cogdill
2018-02-18 19:35:38
The Wife Between Us
Katrina Niidas Holm

This vertiginous, paranoia-fueled psychological thriller from Greer Hendricks (a longtime editor) and Sarah Pekkanen (The Perfect Neighbors, 2016) uses an intricately crafted, kaleidoscopic narrative to examine whether anyone can be 100 percent objective about his or her own marriage. The tale’s primary point-of-view characters are a drunken divorcée named Vanessa, who lives in her widowed Aunt Charlotte’s guest room and works as a sales clerk at Saks, and a sunny preschool teacher named Nellie, who shares a shabby New York City apartment with her best friend and waits tables in the evenings to make ends meet.

Vanessa spent seven years married to a handsome hedge fund manager named Richard. Nellie is Richard’s fiancée. While Richard is Nellie’s Prince Charming, Vanessa views him as a dragon who mustn’t be allowed to devour another princess. Has Vanessa gone off the deep end? Is Nellie dangerously naive? The truth of the situation is far more complicated than it appears.

Ever since Gillian Flynn’s Gone Girl went supernova, people have had an almost insatiable appetite for unreliably narrated, bombshell-laden suburban noir. For that reason alone, Hendricks and Pekkanen’s collaboration should fly off the shelves; The Wife Between Us is so riddled with jaw-dropping reveals and mind-blowing twists that the mere prospect of trying to write a spoiler-free synopsis is enough to make this reviewer sweat.

Fortunately for readers, though, the book’s appeal runs far deeper than its subgenre. The prose is atmospheric and evocative. The story’s structure is a dramatic and architectural marvel. And while the plot is almost suffocatingly airtight—a problem only exacerbated by the bow-tying nature of the book’s coincidence-laden epilogue—the furious pace and artfully drawn cast provide ample distraction. Nellie and Vanessa contain multitudes, but Richard and Aunt Charlotte manage to shine as well, bringing nuance and complexity to every scene in which they appear.

Teri Duerr
2018-02-28 18:25:58
The Plea
Craig Sisterson

Irish human rights attorney Steve Cavanagh cements his status as a terrific new voice in legal thriller writing with his sophomore novel featuring con man turned criminal attorney Eddie Flynn. Cavanagh’s blend of courtroom twists and out-of-court action shakes up standard tropes and has real freshness.

After surviving having a bomb strapped to him by a Russian mobster in The Defense, Flynn is now pressured by the FBI to convince David Child, a man charged with murder, to hire him, then arm-twist the accused into taking a deal in order to help bring down prestigious New York law firm Harland & Sinton. The FBI says the firm has been operating a massive global fraud, which is about to boil over.

The catches are many. Child is a major client of the firm, which has its hooks in him and is unlikely to let go, considering the threat he could pose to its plans. The FBI hoists a sword of Damocles above Flynn’s wife Christine, who works at the firm and signed documents as a naive young attorney that could put her in prison. Then there’s the fact that Flynn starts to believe that Child might be innocent of murder.

But the FBI wants Child to plead guilty, and is happy to strong-arm Flynn.

Cavanagh has a particular talent for escalating tension, and Eddie Flynn is a terrific creation well worth following. There are shades of Michael Connelly’s Mickey Haller, but Flynn is also a unique character all his own. The Plea is a propulsive read that’ll have you soldered to your seat as the pages whir by.

Teri Duerr
2018-02-28 18:30:34
The Man Upon the Stair
Joseph Scarpato, Jr.

It is Paris in 1890 and, not long after watching the hanging of a noted anarchist, Achille Lefebvre is promoted to Chief Inspector. In addition to the headaches of the new duties, Achille is warned that the dead anarchist’s associates may be plotting to kill him in revenge. Brave, but not foolhardy, the chief accepts the need for bodyguards when not in his office.

One of the first cases he must handle as chief involves the strange disappearance of one of France’s wealthiest men, Baron de Livet, with whom he has a slight acquaintance. When the Baron’s wife entreats him to find out what happened to her husband, Achille finds himself involved in one of the strangest and most complex cases of his career—one that includes high-stakes poker, a vast amount of money gone missing, a poisoned servant, Russian spies and political intrigue of the highest order—all while he tries to elude anarchist hit men, a danger which eventually takes center stage.

This is the third novel in the Achille Lefebvre series, and it’s a densely written mystery with a surprise ending that, in addition to an intricate criminal investigation, provides the reader with a real feel for what it was like socially and politically to live in that time and place. Of interest, too, are the discernible differences between French and British mysteries, one of which is the unbelievable amount of wine consumed by French detectives while on a case.

Teri Duerr
2018-02-28 18:36:45
Tips for Living
Ariell Cacciola

Finally stitching her life back together after a messy divorce, Nora Glasser finds herself confronted by her ex-husband Hugh and his new, much younger and much more pregnant second wife when the two inexplicably move to Nora’s small town of Pequod, New York. Soon after, the two are murdered, posed in death to mirror figures in one of Hugh’s paintings, and Nora is fingered for the crime. Tips for Living, a fast-moving thriller, would have you believe that everything is clear-cut, but things are not what they seem. Surely, Nora is easily framed as the maligned ex-wife.

Nora, weighed down by a secret hidden since childhood, questions her own culpability in the murders, even going so far as to seriously consider herself a viable suspect. Luckily, the local residents have rallied around her and believe in her innocence. Unluckily, the townsfolk make up a cast of largely unremarkable characters whose function seems to be little more than providing support for Nora as she digs herself out of the nasty hole she keeps falling deeper into. Renée Shafransky does dedicate more of an effort to creating Nora’s voice and backstory.

Many of the moving parts in Shafransky’s debut feel plucked from a television crime drama. In fact, during one of her more boneheaded moves, Nora explicitly mentions how she should act based on her knowledge of fictitious police procedurals. The result is a narrative that toes the line into cliche territory. Nonetheless, even with its faults, Tips for Living has cracking propulsion. The novel never suffers a sluggish moment and the mystery is a real stumper until the final reveal.

Teri Duerr
2018-02-28 18:42:07
Havana Libre
Betty Webb

If life were fair, Robert Arellano’s Havana Libre would top the New York Times’ bestseller list, but because life isn’t fair, only a few people will ever read this terrific novel. Set in 1997 in Havana and Miami, the book follows Cuban Dr. Mano Rodriguez as he attempts to provide care for his patients in an economy where taxi drivers make more money than physicians. Tired of Communist bureaucracy, he dreams about following his long-exiled father to Miami, but he can’t get approval to attend a medical conference in Tampa, Florida, to which he has been invited. Mano’s colorful complaints about the Cuban economy—95 percent of Cubans are living in dire poverty, etc.—are fodder enough for several books, but the story heats up decidedly when a bomb goes off at the Copacabana night club, killing a Canadian tourist (a plot twist based on a real-life event). Mano is then approached by a Party functionary to travel to Miami to find the Cuban exile who financed the bombing, and learn if more bombings are yet to come. Mano jumps at the chance to legally travel to the US, or what Party members sneeringly refer to as “the belly of the beast.” He is also eager to finally meet his father, an anti-Castro physician who had defected to the US before Mano was even born. One of the jewels of this many-faceted book arises when Mano arrives in Miami and confronts American consumerism for the first time. “Just $199.99.” “Save!” “Deals!” He is both awe-struck and horrified. “The sigil of the Devil is everywhere,” he grumbles in disgust. “Dollar signs wink at me from every window.” Much to Mano’s surprise, he finds that he actually misses Cuba, which for all its faults, is less bewitched by consumerism. When he learns that his father may be the very man behind the Copacabana bombing, Mano’s disgust turns to horror. Havana Lunar, author Arellano’s first Mano Rodriguez book, was a critically acclaimed Edgar finalist, and Havana Libre is its worthy successor. Written in sparkling prose (“As the earth circles the sun, so do we circle our destinies. One thing’s for certain: death never loses track of the simple circularity she puts us in.”), Havana Libre is a rare literary achievement, delving into the soul of one individual, while at the same time, delivering a treatise on conflicting ideologies. Only one thing seems “off” in the brilliant Havana Libre: the naked woman on the cover. Since there are no naked women in the book—no sex, either—this is gratuitous. In this post-Weinstein era, we might want to rethink the efficacy of using a woman’s body as a blatantly cynical advertising gimmick.

Teri Duerr
2018-03-05 20:22:47
The Doll’s House
Betty Webb

If you’re looking for an intricate, multilayered mystery, I suggest you pick up a copy of Louise Phillips’ The Doll’s House, winner of the Irish Crime Fiction Book of the Year Award. Told from several points of view (including the killer’s) this grim tale manages the formidable task of connecting a serial rapist with a serial killer—two different people with two different motives. Told mainly through the eyes of Dr. Kate Pearson, an Irish criminal profiler, we explore the lives of a Dublin family in which nearly everything seems to have gone wrong. Clodagh, a young mother, is seeing a hypnotist, hoping to fill in the gaps in her memory caused by the long-ago drowning death of her father. Her husband Martin deals with his financial anxieties by regularly beating her unconscious. Clodagh’s brother Dominick is suffering his own psychological troubles, but unlike Clodagh, he prefers burying them, rather than dealing with them. This messy family enters Kate’s life when the police ask her to profile a murderer who kills by non-fatally stabbing his victims, letting them suffer for a while, then drowning them. Once Kate is involved in the case, Clodagh’s family woes appears to grow worse. The Doll’s House isn’t an easy book to read for several reasons. The changes in point-of-view are complicated by changes in tense: for instance, the killer loves to have his own say, and so does memory-impaired Clodagh. But Kate’s chapters—remember, she’s the glue who ties this complicated story together—are written in the more distant third person. Given the fact that she’s the protagonist, this can be confusing. The book is also a difficult read because most of the male characters are thugs, and most of the women are infuriatingly passive (so passive that after a while I began to wish that Clodagh would just pick up an axe and behead her lout of a husband). Yet The Doll’s House remains an extraordinary book. The prose is elegant, and filled with insight. In one of the beginning chapters, a character, upon entering Neary’s Pub, muses, “If Neary’s had given out Oscars for insincerity, Stevie would have smiled himself to the front of the line.” And toward the end of the book, another character muses, “The past forms you. It can reach out like a giant claw and drag you back into it.”

Teri Duerr
2018-03-05 20:33:25
Hark the Herald Angels Slay
Lynne F. Maxwell

It’s never too late—or too early—to celebrate the season in Vicki Delany’s festive town of Rudolph, New York, where it is Christmas year-round. Hark the Herald Angels Slay is Delany’s delightful third contribution to the Year-Round Christmas Mystery Series. This mystery features a Christmas-in-July celebration, which means that Santa arrives by boat to spend his vacation in Rudolph. Series aficionados will recall that “Santa” is actually Noel Wilkinson, the rotund father of protagonist Merry Wilkinson, proprietor of Mrs. Claus’s Treasures. What could possibly go awry during this well-planned festival? Plenty, it turns out. First of all, the fête receives unwanted and ill-fated coverage from the New York lifestyle magazine that Merry had fled. Worst of all, Merry’s ex-fiance, Max, a former colleague at the magazine, shows up on site. Merry is not at all happy to encounter him again, especially since he appears in the company of the magazine’s new managing editor, his new bride-to-be, Erica. Matters become more uncomfortable still when Max attempts to rekindle his relationship with Merry, even as he prepares for nuptials with Erica. Is it any surprise, then, that sleazy Max meets his demise, unfortunately in Merry’s shop? Does his spoiled fiancée even care? Be prepared to encounter some high-profile suspects as murder proliferates in the merry town of Rudolph. In the end, though, Merry prevails, as Erica rises to the occasion to thwart the wily killer. Erica even extends a job offer to Merry to rejoin the magazine as Max’s replacement, which is full vindication for the unpleasant circumstances of her departure. Merry knows who is naughty and who is nice, and her choice to remain in Rudolph reflects her hard-acquired wisdom.

Teri Duerr
2018-03-05 20:39:16
Murder Borrowed, Murder Blue
Lynne F. Maxwell

In Stephanie Blackmoore’s Murder Borrowed, Murder Blue, the author’s third Wedding Planner Mystery, ex-attorney series sleuth Mallory Shepard must juggle competing and shifting demands from a wedding party that has chosen her Pennsylvania B&B as the ideal location for the happy (?) event. Actress Dakota Craig returns to her hometown to marry her boyfriend, Beau, a has-been country music star. To complicate matters, the wedding planning and the event itself are being filmed as a last-ditch attempt to save a Hollywood reality show, I Do, from cancellation. Complications abound, however, because of the lengthy history between and among the various parties. For instance, Dakota attended the elite Dunlap School, as did her bridesmaids—and Mallory’s almost-mother-in-law, who uses her clout to thwart progress at the school. Moreover, bridesmaids Ginger and Ellie are employed by the school, Ginger as head and Ellie as drama teacher. Another area of commonality is that Dakota and Ellie both have overly involved mothers who have orchestrated and commandeered their daughters’ careers, pushing for Hollywood star status. All of this emerges after Ginger, the head of school, is murdered in a distinctively staged manner, in Mallory’s office during the school’s Winter Ball. Astute Mallory connects this murder with one that occurred 13 years previously on the set of a Hollywood show in which Dakota appeared. Potential suspects abound, though, because many of them were present for both murders. This entertaining mystery contains numerous threads and red herrings that I cannot begin to cover here, but suffice it to say that Blackmoore resolves the plot and subplots satisfactorily at the novel’s conclusion. Happily, the perfect couple succeeds in uniting for the Valentine’s Day wedding that Mallory has contrived to execute despite almost insurmountable obstacles.

Teri Duerr
2018-03-05 20:46:47
Fierce Kingdom
Dick Lochte

A mother’s love has rarely been explored more fully or with more suspense than in Gin Phillips’ new novel in which protagonist Joan and her four-year-old son Lincoln are trapped in a city zoo at closing time by a trio of young crazies using their Glocks and Bushmasters to gleefully mow down whichever animals and humans they confront. Before the killers change everything, Joan dotes on Lincoln’s every word and deed, almost obsessively analyzing the fantasy games he plays with his toy figures. Once bodies fall, she naturally panics, picking up the boy and rushing to find a safe hiding place, then trying to silence the talkative Lincoln without alarming him. Their ordeal will take three terrifying hours, with the author adding to the suspense of each time-titled chapter by detailing the events in the present tense. While creatively exploring the cat-and-mouse aspects of the plot, she keeps the main focus on Joan and Lincoln but shifts to the activities and backstories of two of the killers, Mark and Robby, and a couple of other potential victims—Kaylen, a 16-year-old who works in the zoo’s snack bar, and Mrs. Powell, a retired schoolteacher. Reader Cassandra Campbell uses the opportunity of a diverse but unusually small cast to display an impressive collection of voices. At first, Joan seems almost in a state of wonder as she observes her son, then shifts to a fear-hiding tranquility that gives way to a tremulousness caused not only by danger but by her dark view of the world. Lincoln sounds his age, complete with demands and a stubborn refusal to stay quiet. Mark has the brash toughness of a bully-leader, Robby the tentative speech of a reluctant, troubled follower. Kaylen chirps with the flippant bravery of youth and Mrs. Powell, like any effective teacher, speaks with strength beyond the physical.

Teri Duerr
2018-03-05 20:52:08
G-Man
Dick Lochte

Stephen Hunter has an apparently endless supply of tales about the Swaggers, several generations of a family whose males have, as the author puts it, “a gift for the firearm.” First and foremost are the novels, beginning in 1993 with Point of Impact (source of a movie and TV series), that feature Bob Lee “the Nailer” Swagger, currently a retired septuagenarian Marine master sniper. Bob Lee’s father, Earl, an Arkansas State Trooper, died when his son was only nine, but lived long enough to have several book-length adventures, set in various historical trouble spots, like postwar Arkansas (Hot Springs, with real-life gangsters Owney Madden and Bugsy Siegel) or 1953 Cuba (Havana, with an emerging ripe-for-revolution Fidel Castro). Even Bob Lee’s recently discovered son, Ray Cruz, has his own novel (Soft Target) in addition to guest appearances in his dad’s series. G-Man introduces Bob Lee’s grandfather, WWI hero and sheriff Charles Swagger, who, in Depression Era 1934, is recruited by the pre-FBI US Division of Investigation to help take down Lester Gillis, the public enemy known as Baby Face Nelson. The story of that fierce effort, with its eventual, bloody confrontation, is bookended by and interspersed with Bob Lee’s discovery of a strongbox filled with a gun, a badge, and various of Charles’ other “treasures” that send him on a search for information about his basically unknown grandfather, an investigation that places him in jeopardy. Reader R.C. Bray, whose voice is gruff and hoarse enough to make you want to pop a Ricola drop, tells both high-testosterone past and present tales with hardboiled vigor. As should be expected, his Bob Lee sounds like the rough old man he claims to be, while Charles, in his 40s, sounds younger and tougher, especially when delivering lines like this, about a dying man: “He’s got an hour or so before he pumps dry.” What’s surprising is how effectively Bray captures the gangster crew. There’s Oklahoma-accented Charles “Pretty Boy” Floyd, “too stupid to know the meaning of fear, either as a word or a concept.” Hunter gives Bray an impossible task, describing Homer Van Meter’s laughter as “likened to the sound of sheet metal being ripped apart by insane dogs.” But the performer comes close, as he does with the “hideous Windy City accent” of main villain Gilles “that turned all his vowels into the shrieks of geese as they were fed into a meat grinder tail first.” But while his tormented geese accent may fall slightly short, Bray hits the target with his summation of a larger-than-life killer—“smart, feral, without moral compass”—with an insane belief in his own immortality. Until, as Hunter’s history has it, he faced a Swagger.

Teri Duerr
2018-03-05 20:59:08
Sherlock Holmes: The Lost Radio Scripts
Jon L. Breen

Sherlockians and old radio buffs will want this volume, presenting 12 scripts from the 1944-45 season of the Holmes radio series starring Basil Rathbone and Nigel Bruce, unheard and unpublished since their initial broadcast, complete right down to the Petri Wine commercials. The writers were Saint creator Leslie Charteris (using the pseudonym Bruce Taylor) and actor Denis Green. The secondary value lies in Dickerson’s compact eight-page introductory chapter, which offers brief biographies of Rathbone and Bruce, history of earlier American broadcasts of the Holmes stories, and an account of getting this version on the air, starting with pioneering scripter Edith Meiser, whose career as a Broadway actress interrupted her Sherlockian efforts. Apparently Green was good at dialogue but hopeless at story structure. Thus, in Ellery Queen terms, Charteris was the Fred Dannay equivalent (outlining the story) while Green took the Manfred Lee role (putting it in finished form). Presumably Anthony Boucher, who later became Green’s collaborator on the Holmes programs, had the same arrangement: he would later take over the Dannay role on the Queen radio show. Notes on the individual scripts identify their contractually required origins in canonical stories (“based on an incident in…,” sometimes a stretch.)

Teri Duerr
2018-03-07 19:14:39
The Story of Classic Crime in 100 Books
Jon L. Breen

Edwards follows his Edgar-winning The Golden Age of Murder (2015) with another study of primarily classical detective fiction, this one presented as a companion to the British Library Crime Classics series, also published in the US by Poisoned Pen. The hundred subject volumes cover the first half of the 20th century, ranging from Conan Doyle’s The Hound of the Baskervilles (1902) to Julian Symons’ The 31st of February (1950). Included are landmark volumes by famous names (Edgar Wallace, G.K. Chesterton, Agatha Christie, Dorothy L. Sayers, Anthony Berkeley/Francis Iles, Margery Allingham, John Dickson Carr, Michael Innes) as well as less familiar works from less well-remembered bylines (Roy Horniman, George Limnelius, Newton Gayle, Evelyn Elder, Francis Everton, Ellen Wilkinson). The emphasis is British, but one chapter nods to American masters (Dashiell Hammett, C. Daly King, Ellery Queen, Joel Townsley Rogers, and Patricia Highsmith), another to non-English language writers (Stanislas-André Steeman, Georges Simenon, and H. Bustos Domecq, the collaborative pseudonym of Jorge Luis Borges and Adolfo Bioy Casares).

Most of the subject books are covered in a couple of pages, including plot summary, critical assessment, biographical notes and other sidelights, and historical significance. Edwards is an excellent guide as always, presenting new insight and information even on authors and books I thought I knew well.

Teri Duerr
2018-03-07 19:18:28
Blood on the Stage, 1600 to 1800: Milestone Plays of Murder, Mystery, and Mayhem
Jon L. Breen

The latest volume in this monumental reference series begins with Shakespeare and his Elizabethan contemporaries and ends with The Castle Spectre (1797) by Matthew Gregory Lewis, best known for the previous year’s classic gothic novel The Monk. Amnon Kabatchnik has one more century to cover, the 19th, and that volume is reportedly forthcoming. As before, each entry begins with a plot summary, essential to any theater manager considering a production, followed by stage history (plus film and TV where applicable), critical reception, author biography, and other notes of interest. Among the familiar titles covered are Thomas Heywood’s A Woman Killed With Kindness (1603), John Webster’s The Duchess of Malfi (c1613), Moliere’s Tartuffe (1664), John Gay’s The Beggar’s Opera (1728), and Henry Fielding’s Tom Thumb (1730). First playwright to represent the United States in the series is William Dunlap with The Fatal Deception (1794).

For many readers, the Shakespeare coverage will be the highlight. Some early plays, including Hamlet, were covered in the previous volume (400 B.C. to 1600 A.D.), but the other major tragedies, plus some histories and comedies with criminous elements, are dealt with here. The performance histories (from the beginning into the 21st century) are of special interest. Take Richard II, not, one might think, among the Bard’s most popular histories. Though written in 1594, privately performed in 1595, and published in 1597, it had its first public performance at the Globe Theatre on February 7, 1601, “the day before the Earl of Essex’s rebellion, in an attempt to encourage plotters against Queen Elizabeth I.” Though Essex was executed following his failed revolt, Shakespeare and his company apparently escaped serious censure. Kabatchnik notes that “the next recorded performance was in the East India Company’s ship Dragonoff the coast of Sierra Leone in the autumn of 1607 (the versatile crew would also play Hamlet).” Its controversial political implications discouraged wide performance in the next couple of centuries, but major actors took on the starring role in the 19th (Edmund Kean, William Charles Macready, Edmund Booth) and 20th centuries (John Gielgud, Maurice Evans, Alec Guinness, Michael Redgrave, Ian McKellan, Jeremy Irons, Derek Jacobi).

This whole series belongs in any library concerned with theatrical history or crime fiction, and its technical ineligibility for the biographical/critical Edgar Award is unfortunate, to put it mildly.

Teri Duerr
2018-03-07 19:24:49
Kiss Kiss, Bang Bang: The Boom in British Thrillers From Casino Royale to The Eagle Has Landed
Jon L. Breen

Mike Ripley’s account of the British spy/adventure/thriller output between the 1953 birth of Ian Fleming’s James Bond and Jack Higgins’ bestselling 1975 breakthrough is thorough, engagingly written, and an important contribution to genre scholarship. Alongside the literary history is a parallel view of postwar Britain and its intelligence agencies. Appendices include multi-page biographical notes on 16 “leading players” from Desmond Bagley to Alan Williams, single paragraphs on more than 130 in the “supporting cast” from James Aldridge to Andrew York, extensive notes and references, and a 12-page index.

Ripley has a humorist’s eye for absurdity and metaphor that demands quotation. Discussing James Bond’s Orient Express battle with Red Grant in From Russia, With Love: “Bond has given his gun to Grant, proving perhaps that he wasn’t always the sharpest knife in the attaché case.” On James Leasor’s Dr. Jason Love: “[K]ey characters in several books are murdered in front of Love’s very eyes in Chapter One, which must be doubly disheartening for a spy and a doctor.” From Alistair MacLean on Brian Callison’s A Flock of Ships, a great example of blurbing gone overboard: “The best war story I have ever read….Makes All Quiet on the Western Front look like one of the lesser works of Enid Blyton.”

Teri Duerr
2018-03-07 19:29:30
The Realm of the Impossible
Ben Boulden

The Realm of the Impossible, edited by John Pugmire and Brian Skupin, is a welcome, perhaps landmark, anthology for those readers who enjoy puzzling mysteries and impossible crimes. Its 26 stories are authored by an impressive cast of international scribes. Included are a few of the usual suspects—Edward D. Hoch and Elizabeth Peters—along with several unknown authors, at least to an American audience, such as Ulf Durling (Sweden), Szu-Yen Lin (China), and Pietro de Palma (Italy). A handful of known, but unexpected authors are also here, such as Poul Anderson—best known for his science fiction and, indeed, his “Martian Crown Jewels” is a locked-room science fiction tale—Alexandre Dumas, and Herodotus, “The Father of Modern History.”

The French writer Paul Halter’s “Jacob’s Ladder” is a splendid tale about a wealthy bachelor falling to his death from an impossible height; impossible because nothing at the scene is tall enough for the injuries sustained. Edward D. Hoch’s classic “The ‘Impossible’ Impossible Crime” details a murder in an Arctic research station, its two inhabitants the only people within 200 miles, and the surviving member certain of his own innocence. “Leaving No Evidence,” by British writer Dudley Hoys, is a clever tale of the unexplained disappearance of people. The setting is the mountains of Lebanon, and the conclusion is as unexpected as it satisfying.

Teri Duerr
2018-03-07 19:38:47
Alive in Shape and Color
Ben Boulden

Alive in Shape and Color, edited by Lawrence Block, is the follow-up to Block’s impressive 2016 anthology, In Sunlight or in Shadow. While its predecessor used paintings by Edward Hopper as inspiration, the stories in this anthology are inspired by paintings from a variety of artists. The 16 tales, on average, are a step below those featured in In Sunlight or in Shadow, but several capture every hue, tint, and tone of what makes a story captivating.

Over the past few years, Lee Child’s short fiction has become my favorite of his work, and “Pierre, Lucien, and Me” is an example of why. A historical caper set in the late-1920s and inspired by Auguste Renoir’s Bouquet of Chrysanthemums, it’s devious, humorous, and smart. “Charlie the Barber” by Joe R. Lansdale, inspired by Norman Rockwell’s First Trip to the Beauty Shop, is a hardboiled, richly detailed and violent story about a World War II veteran with a dark secret and an unusual route to redemption. The anthology’s only reprint, David Morrell’s “Orange Is for Anguish, Blue for Insanity,” is also my favorite. Inspired by Vincent Van Gogh’s Cypresses, it is a dark tale about art, obsession, and insanity.

Alive in Shape and Color has a somber note, not because of the stories included in its pages, but rather what is missing—a story by its editor, Lawrence Block. His explanation for this appears to announce his retirement as a fiction writer. In his introduction, Mr. Block writes, “I’ve been [writing fiction] for 60 years. And I’ve been getting the message lately that it may be something I can’t do anymore.” He has accomplished more in those 60 years than anyone could possibly expect, but, while I’m not asking for more, I am hoping for more.

Teri Duerr
2018-03-07 19:43:08
The Big Book of the Continental Op
Ben Boulden

The Big Book of the Continental Op by Dashiell Hammett, edited by Richard Layman and Julie M. Rivett, is a welcome compilation of all 28 Continental Op stories and the serialized versions of the Op’s two novels, Red Harvest—serialized as The Cleansing of Poisonville—and The Dain Curse, as each story originally appeared in Black Mask magazine. The stories are presented in publication order, from “Arson” in October 1923 to “Death and Company” in November 1930, providing the reader a frontrow seat to the transformation of the Continental Detective Agency’s unnamed operative, from a standard Golden-Age detective to one of the earliest detectives of the hardboiled school. Included is enough editorial guidance to provide the reader with context, without overshadowing the character and his stories.

Teri Duerr
2018-03-07 19:47:34
Alaska Highway Two-Step
Betty Webb

Caroline Woodward’s Alaska Highway Two-Step begs the question: Is this a mystery or not? My answer would be: no and yes. No, because no one gets murdered, and the only deaths in the book occur in the past and in the protagonist’s dreamlike prophecies. But in a way, the answer is also yes, because those prophecies hint at a terrible life-taking event which may or may not happen. Mercy Brown is a freelance travel writer (and possible psychic) whose sidekick is Sadie, her diabetic dog. When Mercy is given the job of writing a history of the Alaska Highway, she, Sadie, and 32 journals written by her deceased Aunt Ginger hit the road. Along her 1,500-mile journey, she has several adventures, but most of the action actually occurs in Aunt Ginger’s journals. A ballet dancer and world traveler who died of a stroke on a trip to Sri Lanka, Aunt Ginger never let a wild time pass her by. In comparison, Mercy’s life has been one of gardening, in particular growing rhododendrons. But during her long road trip, she is haunted by a journal-caused vision in which an entire community is destroyed by a river of mud. Mercy’s reading is varied enough that the vision reminds her of a tragedy in Wales. In 1966, when a mining-weakened hillside gave way, the mud roared down into the small village of Aberfan, killing 144 people, 116 of them school children. Mercy wonders if she is being warned that the same thing is about to happen in Alaska. This is an exquisitely written novel, full of lush descriptions of flowers and even potatoes. But it also moves so slowly that an impatient reader might begin to wonder if it will ever cut to the chase. Well, it does—and it doesn’t. Mercy’s visions are accurate, and yet, Alaska Highway Two-Step is not a book for excitement junkies, nor for readers who want a straight-ahead plot with a strong arc of action. However, for the patient reader, there is plenty of gold in this rhododendron-rich story of old tragedies, old heartbreaks, and new hopes.

Teri Duerr
2018-03-07 19:55:17