Sunday, 16 July 2017 20:51

internationalthrillerwriterslogored

The International Thriller Writers (ITW) 2017 Thriller Awards winners were announced on July 15, 2017, at the Grand Hyatt in New York City during the ITW Thrillerfest XII (July 11-15, 2017).

Congratulations to the winners, marked below in bold red.

BEST HARDCOVER NOVEL
You Will Know Me, by Megan Abbott (Little, Brown and Company)
Where It Hurts, by Reed Farrel Coleman (G.P. Putnam’s Sons)
Before the Fall, by Noah Hawley (Grand Central Publishing)
Arrowood, by Laura McHugh (Spiegel & Grau)
Underground Airlines, by Ben H. Winters (Mulholland Books)

BEST FIRST NOVEL
Deadly Kiss, by Bob Bickford (Black Opal Books)
Type and Cross, by J.L. Delozier (WiDo Publishing)
Recall, by David McCaleb (Lyrical Underground)
The Drifter, by Nicholas Petrie (G.P. Putnam’s Sons)
Palindrome, by E.Z. Rinsky (Witness Impulse)

BEST PAPERBACK ORIGINAL NOVEL
In the Clearing, by Robert Dugoni (Thomas & Mercer)
The Body Reader, by Anne Frasier (Thomas & Mercer)
The Minoan Cipher, by Paul Kemprecos (Suspense Publishing)
Kill Switch, by Jonathan Maberry (St. Martin’s Griffin)
Salvage, by Stephen Maher (Dundurn)

BEST SHORT STORY
"The Business of Death," by Eric Beetner in Unloaded: Crime Writers Writing Without Guns (Down & Out Books)
"The Peter Rabbit Killers," by Laura Benedict in Ellery Queen’s Mystery Magazine
"The Man from Away," by Brendan DuBois in Ellery Queen’s Mystery Magazine
"Big Momma," by Joyce Carol Oates in Ellery Queen’s Mystery Magazine
"Parallel Play," by Art Taylor in Chesapeake Crimes: Storm Warning (Wildside Press)

BEST YOUNG ADULT NOVEL
Morning Star, by Pierce Brown (Del Rey)
Holding Smoke, by Elle Cosimano (Disney-Hyperion)
Steeplejack, by A.J. Hartley (TOR Teen)
Thieving Weasels, by Billy Taylor (Dial Books)
The Darkest Corners, by Kara Thomas (Delacorte Press)

BEST EBOOK ORIGINAL NOVEL
Romeo's Way, by James Scott Bell (Compendium Press)
The Edge of Alone, by Sean Black (Sean Black)
Untouchable, by Sibel Hodge (Wonder Women Publishing)
Destroyer of Worlds, by J.F. Penn (J.F. Penn)
Breaker, by Richard Thomas (Alibi)

THE THRILLER LEGEND AWARD
Tom Doherty

SILVER BULLET LITERARY AWARD (for charitable work)
Lisa Gardner

ITW 2017 Thriller Award Winners Announced
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Sunday, 25 June 2017 20:15

Loch Ness on Acorn TV Laura Fraser as Annie Redford Siobhan Finneran as DCI Lauren Quigley EPISODE1 15
The Loch Ness Monster is one of those monster tales that has always fascinated me.

Does it, or did Nessie ever exist? Could it have been a dinosaur that somehow survived? A real monster lurking under the water? Or a figment of many imaginations? A legend that somehow became more real than reality?

The myth provides some of the backstory for the atmospheric new six-part crime drama Loch Ness that will stream on Acorn TV through July 24. It began June 19 so now you can start bingeing, because you will not be satisfied with watching just episode at a time. (A screener of the first four episodes was provided for review.)

Scotland’s famous loch is a stunning place to visit, so naturally it makes an evocative setting for the imaginative Loch Ness, written by Stephen Brady (Fortitude, Vera). The small town of Lochnafoy relies on its monster, Nessie, for its tourist trade. Without the legend of Nessie, most people would not have heard of the town. And local residents aren’t above “creating” their own monsters, cobbling animal skeletons to resemble a Nessie, and posting the photos. It brings in the press, and visitors. It’s good for business.

But murder isn’t good for business.

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D.S. Annie Redford (Laura Fraser) is called in to solve her first murder case—or maybe cases. The body of local resident Niall Swift, a piano teacher, is found at the foot of Carn Mohr Mountain and, in an unrelated situation, an isolated human heart turns up on the loch shore. The deaths rock the small town’s residents who wonder if the killer is one of them.

Suspicion falling on local residents is a common theme in crime fiction, but Loch Ness rises above the clichéd for a gripping tale of a community and a woman juggling her career and her family life, especially her stubborn teenage daughter, Evie.

Loch Ness also becomes a female buddy series as Annie Redford teams up with DCI Lauren Quigley (Siobhan Finneran, who played Clare on Happy Valley and scheming maid Sarah O’Brien on Downton Abbey).

The series also features Don Gilet as forensic profiler, Blake Albrighton, who assists on the case. He has an unusual way of working but is known for getting results.

Laura Fraser—so terrific as the coolly lethal Lydia on Breaking Bad—is equally effective as an insightful detective trying to prove her skills to her colleagues, and herself. The scenes with Fraser and Finneran provide some of the most tense and intelligent.

The shots of the untamed nature near Lochnafoy are gorgeous and will make you want to book a trip to Scotland tomorrow—or after you’ve seen all six episodes.

Photos: Laura Fraser, left in both photos, and Siobhan Finneran right in both photos; photos courtesy Acorn TV

TV Series “Loch Ness” and Real Monsters
Oline H. Cogdill
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Wednesday, 21 June 2017 20:20

kaehler tammy kissthebricks
Tammy Kaehler,
left, turned her fascination with auto racing into a series about racecar driver Kate Reilly. Kiss the Bricks is the fifth in this series. Her novels Braking Points, Avoidable Contact, and Red Flags also have won her awards from automotive journalists.

Here’s a question and answer session with Kaehler in which she discusses her novels.

In your novels featuring Kate Reilly, how are you able to generate a crime plot that works logically with the world of racing?
I always say that the racing world is a microcosm of the larger world, just with a little more drama and occasionally higher stakes. So most any crime is still going to be relevant in the racing world, because people are people wherever they go. That said, racing requires enormous amounts of money (they say the only way to make a small fortune in racing is to start with a big one), which really has driven people to crime in the past. My story line in Kiss the Bricks about drug smuggling to pay for racing is taken directly from real life. Honestly, with all the competition, speed, violence, rock-star personas, egos, glamour, and money floating around the racing world, it's not hard to imagine every kind of crime or criminal being attracted to it. In some ways, it's only surprising there aren't more crimes.

In addition, people in the racing world are involved in every kind of business and pursuit, whether they're drivers (including amateurs with other day jobs), sponsors, or fans. So I've always been able to tie any outlandish plot idea to someone involved in racing without any trouble.

Kiss the Bricks is set against the backdrop of the Indy 500. What were some of the highlights of being there?
The event is referred to as "The Greatest Spectacle in Racing," which is absolutely a true description, so anytime I get to see all of the pomp, circumstance, and competition in person, it's amazing. It's also fantastic to be there in person to see my primary book source and friend, Indy 500 competitor Pippa Mann, take to the track in person—it's a real thrill to see someone you know wheeling a car at 230 mph! But by far the most incredible experience, which I've been lucky enough to do for two years now, is actually working in the pits as an assistant spotter for the broadcast team (ESPN/ABC) during the race. It's a behind-the-scenes perspective that most people don't get.

Kaehlertammy kissbricksjacketWho were your primary influences in the mystery genre?
I was a mystery reader for years, and in fact, I can't remember when I wasn't dipping into The Complete Sherlock Holmes that was on my parents' shelf as a kid. I also loved Nancy Drew and later Agatha Christie's books. But it was really the steeple-chasing mysteries written by Dick Francis that inspired and influenced me to create Kate's world, because I wanted to entertain readers and teach them about a world they probably don't know anything about. I wanted to be the Dick Francis of auto racing with a female protagonist. I still do!

How directly do you connect to the racing world? And how do you conduct your research for the racing scenes?
Research is a huge part of what I do, because I've always made a point of every technical detail being correct. I ask a ton of questions. I go to races to keep in touch with the sources and friends I have, and by doing so, manage to meet more and more people. I'm not shy about asking for help, even for details as small as top speed down the front straight at the Long Beach Grand Prix. Of course, the racing scenes are the most critical, and I rely heavily on professional drivers to make sure I'm doing it right. In every book, I watch as many videos as possible, including in-car video of the exact car at the exact racetrack, and I ask questions of a driver before writing the scenes. The biggest step is then getting a pro to check the driving scenes and correct them. With Kiss the Bricks, Pippa Mann was an enormous help. I sent her lists and lists of questions—on everything from how to adjust the car to what she eats before the race—and she responded with pages and pages of answers. Then we went back and forth twice on the driving scenes, so that I had every detail right.

Do you have aspirations to become a competitive driver yourself?
No aspirations at all! While confident and comfortable on the L.A. freeways, I'm a chicken behind the wheel of a racecar, in part because I've come to appreciate the incredible skill professional drivers have. I absolutely trust the pros I've ridden with to not crash, and I understand just how much work it would take to get my skill to the same level. Not going to happen!

On Track With Tammy Kaehler
Oline H. Cogdill
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