Tuesday, 05 November 2019 23:36

A highlight of every Bouchercon is the Anthony Awards. The 2019 awards were presented on Saturday, Nov. 2, during the convention held in Dallas.

The 2019 Anthony Awards were for works published in 2018, and were selected by the votes of those attending Bouchercon.

This year’s nominees in each of the categories were among the strongest we’ve ever seen. Each author—both those nominated and who took home the Anthony—was a winner.

Congratulations to all.

(Those who took home the Anthony, which was one of the most beautiful awards we’ve seen, are listed first in bold face with ** before the title.)

Best Novel
**November Road by Lou Berney (William Morrow)
Give Me Your Hand by Megan Abbott (Little, Brown and Company)
Jar of Hearts by Jennifer Hillier (Minotaur Books)
Sunburn by Laura Lippman (William Morrow)
Blackout by Alex Segura (Polis Books)

Best First Novel
**My Sister, the Serial Killer by Oyinkan Braithwaite (Doubleday)
Broken Places by Tracy Clark (Kensington)
Dodging and Burning by John Copenhaver (Pegasus Books)
What Doesn’t Kill You by Aimee Hix (Midnight Ink)
Bearskin by James A. McLaughlin (Ecco)

Best Paperback Original Novel
** Under a Dark Sky by Lori Rader-Day (William Morrow Paperbacks)
Hollywood Ending by Kellye Garrett (Midnight Ink)
If I Die Tonight by Alison Gaylin (William Morrow Paperbacks)
Hiroshima Boy by Naomi Hirahara (Prospect Park Books)
A Stone’s Throw by James W. Ziskin (Seventh Street Books)

Best Short Story
**“The Grass Beneath My Feet” by S.A. Cosby, in Tough (blogazine, August 20, 2018)
“Bug Appétit” by Barb Goffman, in Ellery Queen Mystery Magazine (November/December 2018)
“Cold Beer No Flies” by Greg Herren, in Florida Happens (Three Rooms Press)
“English 398: Fiction Workshop” by Art Taylor, in Ellery Queen Mystery Magazine (July/August 2018)
“The Best Laid Plans” by Holly West, in Florida Happens (Three Rooms Press)

Best Critical or Non-Fiction Work
** I’ll Be Gone in the Dark: One Woman’s Obsessive Search for the Golden State Killer by Michelle McNamara (HarperCollins)
Dead Girls: Essays on Surviving an American Obsession by Alice Bolin (William Morrow Paperbacks)
Mastering Plot Twists: How To Use Suspense, Targeted Storytelling Strategies, and Structure To Captivate Your Readers by Jane K. Cleland (Writer’s Digest Books)
Pulp According to David Goodis by Jay A. Gertzman (Down & Out Books)
Classic American Crime Fiction of the 1920s by Leslie S. Klinger (Pegasus Books)
The Real Lolita: The Kidnapping of Sally Horner and the Novel that Scandalized the World by Sarah Weinman (Ecco)

The Anthony® Award is named for the late Anthony Boucher (rhymes with “voucher”), a well-known California writer and critic who wrote for the San Francisco Chronicle and the New York Times Book Review, and also helped found Mystery Writers of America. The Anthony Awards were first presented in 1986.

Oline H Cogdill
Saturday, 26 October 2019 17:56

The recent uptick in mysteries by diverse authors shouldn’t surprise anyone.

Mystery readers have always wanted stories about different cultures, backgrounds and heritages.

This has especially been true in the past 25 years as publishers realized that readers want stories that take place in a variety of regions and feature myriad characters.

Two of the best mysteries of 2019 are Steph Cha’s Your House Will Pay about the effects of violence on two families—one Korean American, the other African American; and Attica Locke’s Heaven, My Home, which continues the series about African-American Texas Ranger Darren Mathews.

While I believe that publishers still have a long way to go to recognize that these stories are so important to the success of the genre, the ground work is here.

Here are a few authors who are setting a new tone to the mystery fiction genre, and giving us those stories that we crave. I am sure I have missed a few so let us know other authors

Tracy Clark, Borrowed Time (Kensington): Continues the story of Cassandra Raines, a former Chicago homicide cop turned private investigator.

Tori Eldridge, The Ninja Daughter (Agora Books/Polis) A Chinese-Norwegian modern-day ninja with Joy Luck Club family issues who fights the Los Angeles Ukrainian mob, sex traffickers, and her own family to save two desperate women and an innocent child.

Cheryl Head, Judge Me When I'm Wrong: A Charlie Mack Motown Mystery (Bywater Books): Two court cases occupy Detroit private investigator Charlene “Charlie” Mack and her team.

Angie Kim, Miracle Creek (Sarah Crichton Books): Courtroom drama about a Korean immigrant family and a mother accused of murdering her autistic son.

Sujata Massey, The Satapur Moonstone (Soho Crime): Set in 1922, this new series follows Perveen Mistry, Bombay’s first female solicitor who works for her father’s law firm.

Michael Nava, Carved in Bone (Persigo Press): The first new Henry Rios novel in 20 years explores the story of two gay men in 1980s San Francisco.

Patricia Shanae Smith, Remember (Agora/Polis): Portia Willows, a girl who struggles with severe social anxiety disorder, following the loss of her mother and sister in a mysterious car accident.

John Vercher, Three-Fifths (Agora/Polis): A biracial black man, passing for white, is forced to confront the lies of his past and the truth of his present when his best friend, just released from prison, involves him in a hate crime.

By Oline H Cogdill
Sunday, 20 October 2019 16:03

Mystery Scene continues it series in which authors discuss their writing process. In this essay, Dana Ridenour writes about how her career in the FBI influences her novels.

Author Dana Ridenour, left, is a retired FBI agent who spent most of her career as an FBI undercover operative, infiltrating criminal organizations including the Animal Liberation Front, an organization of domestic terrorists. Her debut, Behind The Mask, is based on her personal experiences working as an undercover agent, and won numerous literary awards and was named one of the best indie books of 2016 by Kirkus Reviews.

Her second novel, Beyond The Cabin, is set in the South Carolina Lowcountry, and was awarded the 2018 Royal Palm Literary Award for Best Thriller or Suspense.

Below The Radar was is her latest novel.

Ridenour lives in Beaufort, S.C., where she is working on her fourth novel.

How my life as an FBI Undercover Agent Helped Me See Both Sides

If you have read any of the books in my Lexie Montgomery FBI series, then you know that I’m not afraid to write about contentious subject matters. As an undercover FBI agent, I spent years using deception to gain information and evidence for criminal prosecutions. The world is not black and white and undercover agents operate in the gray.

Subjects are not all bad and law enforcement officers are not all good. There is good and bad in each of us. My undercover experience has given me the insight to write about controversial subject matters in a tactful, unbiased manner.

Here are a few suggestions for writers who deal with contentious themes.

If you’re going to write about a sensitive topic, please do your research. There are always two sides to the topic and you need to understand both sides. My first long-term undercover case in the FBI required me to infiltrate a radical animal rights group.

My mission was to target the radical extremists who were committing serious crimes such as arson. To accomplish this mission, I had to immerse myself into the activist lifestyle. I learned their culture and beliefs. This remarkable experience helped me to understand the animal rights extremist ideology and later served as the basis for the three books in the Lexie Montgomery series.

Most people assume that I dislike animal activists, but that’s simply not true. In fact, I have a great respect for the men and women who champion the various animal rights causes. Because of my time working undercover, I was able to experience the activist culture and way of life.

I encountered so many marvelous people who devoted their lives to saving animals. There is nothing wrong with being an activist. In fact, our country was founded on the ideology that as Americans we have the right to protest and change what is wrong in our country. However, the right does not apply to individuals who break federal laws and put innocent lives in danger.

As a writer, you have to draw on your life experiences to help you effectively write painful or controversial moments. Use your personal insights to make your character’s responses believable. Use empathy to be a more compassionate writer.

In my novels, Special Agent Lexie Montgomery is the “good guy”, but I didn’t want to simply use the activist characters as “bad guys.” I wanted to intelligently show both sides of the issue which would force readers to think about the implications of the subject matter on their own lives. I wanted readers to examine their own beliefs and worldviews.

In all three of my novels, healing is a theme.

My main character faces difficult obstacles and things don’t always end up as she would like. She has to find a way to heal, overcome and find hope again. Life has a way of kicking us in the teeth, so I enjoy writing about finding light after overcoming a dark, turbulent time in life. Showing the raw, vulnerable side of a character makes the character more interesting and believable.

When writing about sensitive topics, always treat the subject with respect. Unless you are intentionally writing a piece where the goal is to shock the reader, try to not disrespect one side or the other. Think about why you are writing the piece and if you are allowing your own biases to dictate the direction of your story.

Face it, it’s difficult to be 100 percent objective. From early in life, we are conditioned to take sides. If your goal is to write an opinion piece, then consider at least acknowledging counter arguments and be respectful of the other side.

Always consider your audience when writing a piece that deals with sensitive subject matter. Writers have to determine the best way to deal with extreme violence and other horrible atrocities.

When I worked undercover, I witnessed so much brutality and barbaric acts against animals.

As a writer, I considered my target audience to determine how much savagery to include in the novels. Part of me wanted to show the readers what I had seen and give them a vivid image of the brutality. If I did this, I knew the squeamish readers would slam the book shut and never finish the novel.

The goal is for people to read my stories, not run away screaming. I found the middle ground, allowing me to tell my stories in a realistic manner without offending people.

When writing about controversial subject matters, always remember there are two sides to every story. If you show integrity and compassion, people will read your work.

Dana Ridenour: Writing About Controversial Subject Matters
By Oline H. Cogdill